Tu as tout à fait raison (skarn). Si ce n'est que ce n'est pas l'IA qui passe à côté, mais moi.
Voici un prompt ajusté par vos différentes remarques et sur un modèle plus classique. Utilisant un service enligne.
prompt : Masterpiece in 4k. Powerful fantasy photography of Pasiphae, in foreground, talking with her son the Minotaur in the labyrinth of Knossos. Pasiphae wears luxurious jewels. A crown with symbols of the sun and some collar and rings with symbols of the ocean. The Minotaur is sitting on a rock. Pasiphae is a beautiful middle-aged woman with long grey hair. She wears a white toga from ancient Greece, a queen's toga. The Minotaur is very tall and muscular. The Minotaur's back is to the camera, and all that can be seen is his dark silhouette. The Minotaur is twice as tall as Pasiphaé and has an impressive bull's head with large horns. It's dawn. The sun is just rising over the walls of the labyrinth.
Modele Flux.S
Modele Flux.d
Encore une fois : Les compositions ne tombent pas du ciel. Elles se travaillent par des mots.
De plus, le sujet n'est pas d'être pour ou contre, mais bien de ce que cela apporte ou enlève en tant qu'auteur de récits.
Voici un prompt ajusté par vos différentes remarques et sur un modèle plus classique. Utilisant un service enligne.
prompt : Masterpiece in 4k. Powerful fantasy photography of Pasiphae, in foreground, talking with her son the Minotaur in the labyrinth of Knossos. Pasiphae wears luxurious jewels. A crown with symbols of the sun and some collar and rings with symbols of the ocean. The Minotaur is sitting on a rock. Pasiphae is a beautiful middle-aged woman with long grey hair. She wears a white toga from ancient Greece, a queen's toga. The Minotaur is very tall and muscular. The Minotaur's back is to the camera, and all that can be seen is his dark silhouette. The Minotaur is twice as tall as Pasiphaé and has an impressive bull's head with large horns. It's dawn. The sun is just rising over the walls of the labyrinth.
Modele Flux.S
Modele Flux.d
Encore une fois : Les compositions ne tombent pas du ciel. Elles se travaillent par des mots.
De plus, le sujet n'est pas d'être pour ou contre, mais bien de ce que cela apporte ou enlève en tant qu'auteur de récits.
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